The Confinement

The complexity of the collective feminine figure in this narrative seems to show what it exists of better in the human being: goodness, sensitivity, conscience of itself and the respect to the next one. This woman possesss intent and clean eyes for the spectacle of the world, arriving if to be similar a child or to a poet who has the sensitivity of sees for the first time, what of so visa, nobody sees, and, thus, if it presents as symbol of all the hopes and valley to stand out that, also symbolizes the feminine element that exists in each being, independent of its sex. The feminine voice appears of the woman medicates of it. It is the force that of the movement the narrative. This cited force is happened of the vision, and also of the circumstance that detaches and it becomes it leader of its group, as if it can observe in the ticket: …

you are not blind, you said rapariga of dark eyeglasses, therefore it has been the one that orders and organizes, not control, I organize what I can, I am, solely, the eyes that vocs had left to have, a species of natural head, a king with eyes in a land of blind people, …, if thus it is, then it leaves to guide me for my eyes … (SARAMAGO, 1995, p.255). In the trajectory of the main personage, if it observes the facts most uncertain, as: ahead of the collective blindness, it is led to changed itself of a simple owner of the leader marries, therefore, she places the welfare of the group above of its individual interests at the same time the fight for the proper survival. The awaken tragedy in it an unrecognizable interior force, makes that it to become the proclamadora voice of the resistance against some forms of oppression installed in the confinement of the blind people.

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